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Anxiety --- Self-presentation --- Interpersonal relations --- Self-presentation.
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This book investigates the relationship between the self and screen in the digital age, and examines how the notion of the self is re-negotiated and curated online. The chapters examine the production of the self in postmodernity through digital platforms by employing key concepts of ubiquity, the everyday, disembodiment and mortality. It locates self-production through ubiquitous imaging of the self and our environments with and through mobile technologies and in terms of its `embeddedness' in our everyday lives. In this innovative text, Yasmin Ibrahim explores technology's co-location on our corporeal body, our notions of domesticity and banality, our renewed relationship with the screen and our enterprise with capital as well as the role of desire in the formation of the self. The result is a richly interdisciplinary volume that seeks to examine the formation of the self online, through its renewed negotiations with personalised technologies and with the emergence of social networking sites.
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Neben der Autobiografie gehört das Spiel zu den bedeutendsten Techniken der Subjektivierung. Der vorliegende Band geht Formen der Verschränkung von autobiografischen und ludischen Praktiken nach. Wirkmächtige Modi dieser Verschränkung bieten der spielerischen Selbsterkundung Raum wie Autobiografie, Blog oder interaktive Performances. Der Fokus auf spielerische Praktiken von Selbstbezüglichkeit zeigt die potenzielle Offenheit von Subjektivierungsprozessen. Doch spielerische Praktiken münden nicht in Beliebigkeit. Sie besitzen häufig einen existenziellen Ernst, gerade weil die Bewegung ins Offene geht. Das Moment des Risikos ist für sie konstitutiv. Der »heilige Ernst«, den Johan Huizinga dem Homo ludens attestiert, tangiert auch den Status des dadurch konstituierten Subjekts, das sich oft selbst zum Einsatz des autobiografischen Spiels macht – sich selbst aufs Spiel setzt.
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Every day, Americans make decisions about their privacy: what to share and when, how much to expose and to whom. Securing the boundary between one's private affairs and public identity has become a central task of citizenship. How did privacy come to loom so large in American life? Sarah Igo tracks this elusive social value across the twentieth century, as individuals questioned how they would, and should, be known by their own society. Privacy was not always a matter of public import. But beginning in the late nineteenth century, as corporate industry, social institutions, and the federal government swelled, increasing numbers of citizens believed their privacy to be endangered. Popular journalism and communication technologies, welfare bureaucracies and police tactics, market research and workplace testing, scientific inquiry and computer data banks, tell-all memoirs and social media all propelled privacy to the foreground of U.S. culture. Jurists and philosophers but also ordinary people weighed the perils, the possibilities, and the promise of being known. In the process, they redrew the borders of contemporary selfhood and citizenship. The Known Citizen reveals how privacy became the indispensable language for monitoring the ever-shifting line between our personal and social selves. Igo's sweeping history, from the era of "instantaneous photography" to the age of big data, uncovers the surprising ways that debates over what should be kept out of the public eye have shaped U.S. politics and society. It offers the first wide-angle view of privacy as it has been lived and imagined by modern Americans.--
Privacy --- Self-presentation --- History
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